Music Monday: Here in Neverland

My name is Sally, and I’m addicted to musicals.

There are some that have meant a lot to my life – like Grease, which brought me some of the best people in my life when we did it in high school, or the Sound of Music, which Grandma Sugarplum and I would sing together.

But I can only think of three performances where the show itself – the sheer musical content and drama – kicked me in the gut so hard that I watched with my hand over my mouth, willing time to slow down so I could stay in the moment forever.

The first: A Chorus Line – I felt like had just broken my ankle and lost my life’s dream.
The second: Wicked – in the front row in London, watching Idina Menzel – sorry, Adele Dazeem – take to the skies.
The third: Finding Neverland – here in Boston, with Jeremy Jordan killing it in the lead role. Be still, my heart. But seriously, I was never a fan of the movie but thought the show sounded fun and it blew me away, to the extent that I bought tickets for my family to see it first thing the next morning.

(Later, when I saw Charlie and the Chocolate Factory in London, I held it against this example of unexpected, amazing childhood fun and it came up sorely lacking.)

Don’t take it from me – go see Matthew Morrison take back this role on Broadway, and Laura Michelle Kelly continue her reign of glory as the leading lady. I know I’m going to see it again!

(Ok, the fourth was Spring Awakening – and the fifth was Joseph and the Amazing Technicolor Dreamboat – and the sixth was Les Mis – and the seventh…)

Music Monday: The Fade Away

As I’ve gotten back into the world of online dating, I’ve had my share of awkward online interactions.  (No, if chat is turned off, I probably don’t want to chat, especially if we’re a 30% match.  And yes, I know I have a nice smile, I had braces twice and still wear my retainer diligently – but did you see that I also have an entire profile!?!  Also… hi.  Just hi.  Apparently that’s a thing now, along with profiles composed 100% of selfies.  C’mon Boston – you can do better!)

But nothing is more awkward than that moment where it’s just not quite clicking after a date or two – not so many that it’s worth a phone call or a drink to say goodbye, but just enough that you feel obligated to come up with excuses to not see someone again.

My work friends and wise sister recently convinced me to stop taking this wimpy option and actually tell someone that I wasn’t feeling a spark instead of fading away, and it was TOUGH.  Finding the words, and actually sending them, made me feel like a giant jerk.  But it also closed a door that I didn’t need to keep open (kind of like Tabless Thursday!).

In honor of the wimp’s way out, I bring you this gem that my mom made me watch this weekend as part of Garfunkel and Oates’s new tv show.  It’s perfect.  And I DO want to see it again.

Music Monday: rolling into the new year on a wrecking ball

Just because the year’s over doesn’t mean we’re safe from the earworms that defined our year – those dudes at the thrift shop, that chick on the wrecking ball, the techno beats that wake us up and get us rocking.  Having a Spotify account this year made me so much more hip as I could listen to these songs as they came out.  What will 2014 hold?  Dare I predict… a lot of Beyonce?

 

Music Monday: When I’m Gone

This is my latest jam – for sunny mornings, rainy afternoons, days when I’m missing camp and our own game of cups (ours involves passing it down the line at increasing speed – take that, Anna Kendrick!). I love the musical background and her voice. Learning to play this is my next musical adventure – stay tuned to see how it goes!

Music Monday: A Misérable Passover

As usual, the Maccabeats have come out with a catchy video to kick off the Jewish holidays.  This time, it’s less about creative new lyrics and instead focused on the crafty repurposing of the Les Misérables songs to tell the story of Passover (with some mighty fine singing in the process, though I would have liked to see them hit those high notes…).

Check it out below – and check out my matzo brei recipe if you’re looking for a way to spice up your unleavened bread.

Music Monday: We are young

Every day, I check the marquee of the Orpheum Theatre on my way to work.  Whose tour bus will be blocking my door this week, I wonder?  But for the last few days, I looked up with an extra smile because I was actually going to see the band whose name was displayed – it was time for me to have some FUN.

fun marquee

It was surreal to actually be inside the theater for the first time – it felt like walking into Mary Poppins’s bag, like “how could this large space possibly fit in the downtown Boston that I know?”  The opener was underwhelming, the beer was $13, but the seats were good and FUN. was amazing.  They rocked the house, even if they did play a little too much new stuff for my fellow fans’ taste – it’s rare to find a band that sounds as solid in person as in the studio.  They also brought the Boston charm for encore #1 (photo courtesy of the lovely Katie Catano).

Photo courtesy of Katie Catano

(c) Katie Catano

My favorite part was just how much they enjoyed playing, and their newfound fame.  When they held their mics to the audience to let us sing “SO WE SET THE WORLD ON FIRE, WE CAN BURN BRIGHTER…” the looks on their faces were of mild disbelief and sheer joy.  This is my absolute favorite part of live music – seeing the face of an artist who clearly is still wondering “What did I do to deserve this, to get all these people to pay ME to sing to them, and to have people who not only like my words and tunes… they love them so much that they know them by heart?”  If that isn’t the point of getting famous in the first place, I don’t know what is.

Here’s their megahit – trust me when I say it’s even better in person.